BEGIN:VCALENDAR
VERSION:2.0
CALSCALE:GREGORIAN
PRODID:iCalendar-Ruby
BEGIN:VEVENT
CATEGORIES:Exhibition,Performing Arts,Community
DESCRIPTION:Reed Arts Weekend 2026: Cyber Miasma\n\nMarch 6-8\, 2026\n\nNow
  in its 36th year\, give or take a COVID break\, Reed Arts Weekend (RAW) br
 ings visual art\, dance\, DJs\, literature\, and more to Reed College March
  6-8\, 2026. Highlights include installation of a work by Simon Denny\, a V
 R experience by Veronica Graham\, an improv dance workshop by Carla Mann\, 
 and a lecture by Hannah Baer. Every event is open to the public. See the fu
 ll schedule below. Reed Arts Weekend is organized and produced by Nina Frie
 dman\, Benny Gunn\, Michael Malone\, Lily Moyn\, and Clementine Gripman Whi
 stler.\n\nCentral to this year's RAW is an investigation into artists navig
 ating the state of superabundance-induced paralysis. Stasis experienced in 
 the face of frenetic speeds and liquidity\, generative artificial intellige
 nce and algorithmic media has compounded to a point of saturation in the me
 dia landscape that can be described as nothing less than a cultural torpor.
 \n\nThis year's RAW survey gathers artists directly responding to and explo
 ring the dizzying excesses of supermodernity\, cultivating practices of mea
 ning-making in the face of excessive junk\, spam\, slop\, rot\, waste. Rath
 er than capitulating to the inertia of overload\, the exhibition foreground
 s works that metabolize debris—digital\, cultural\, or psychic—into new for
 ms of attention. These projects ask what might emerge when production outpa
 ces comprehension\, when data multiplies like mold\, fed back to us in endl
 ess loops.\n\nExploring how artists and thinkers can produce meaningful wor
 k in a digital landscape defined by spam\, the exhibition proposes ways art
  may function not as refuge from excess\, but as a method for moving throug
 h it: sorting\, sifting\, resisting. In tracing gestures of refusal and rei
 nvention\, RAW 2026 invites viewers to consider new modes of slowness\, del
 iberation\, and estrangement as acts of creative survival.\n\nCYBER MIASMA\
 nReed Arts Weekend 2026 Schedule\n\nFRIDAY\n\nCyber Miasma\nStudent Art Exh
 ibition Opening Reception \n4-5:30pm \nPlus viewing hours Friday 4-8PM and 
 Saturday 9-5PM.\nGray Campus Center\, Rooms A and B\n\nThis group exhibitio
 n of work by current Reed students will be on view through Saturday.\n\nSim
 on Denny \nDotcom Séance\nAll weekend\nPerforming Arts Building\n\nAn insta
 llation of selected images from Denny’s Dotcom Séance series. Simon Denny i
 s a contemporary artist based in Berlin. Denny makes artworks that unpack s
 tories about technology using painting\, web-based media\, installation\, s
 culpture\, print\, and video. He represented New Zealand at the 2015 Venice
  Biennale. \n\nGraft Union Reading Series (G.U.R.S.) and Femme Cell\n6-8:30
 pm\nEliot Chapel\n\nGURS - Graft Union Reading Series presents a poetry rea
 ding of emerging writers\, performance art\, and a surprise\nmusical guest.
 \n\nGraft Union is a grassroots arts collective which hosts a monthly Readi
 ng Series (GURS) showcasing emergent writers across Portland. Graft Union f
 ollows a non-hierarchical and transparent organizational structure\; contin
 uously seeking new members\, organizers\, and readers. We foster radical se
 lf-expression through creative writing—not limited by form or genre—and act
 ively encourage multilingual as well as multimedia work. A graft union is t
 he junction between the rootstock and the scion of a grafted plant—where tw
 o different plants fuse and unify into one. Likewise\, the Graft Union Read
 ing Series envisions itself as a locality of interconnectivity and new grow
 th.\n\nSORA \nShodo/Calligraphy Performance\n8:30pm\nStudent Union\n\nPortl
 and-based Artist\, SORA was born in Usuki Oita\, Japan. She has studied Sho
 do since the age of six\, most recently under Master Sekko Daigo (Oregon) a
 nd Master Futo Suzuki (Japan).\n\nSATURDAY\n\nHannah Baer Lecture\nDavid Ve
 lasco Reading\n5pm\nEliot Chapel\n\nHannah Baer is a writer and licensed cl
 inical psychologist based in New York. She is the author of the memoir tran
 s girl suicide museum and the nonfiction book The Life of the Party\, forth
 coming in 2027. She is a psychoanalytic candidate and a contributing editor
  to Parapraxis.\n\nDavid Velasco ’00 is a writer based in New York and Reed
  alumnus. He was editor-in-chief of Artforum from 2017 to 2023\, and before
  that\, he worked as an editor at artforum.com for twelve years.\n\nVeronic
 a Graham\nDiatribes\nLecture\, Exhibition\, and VR Experience\n2-4:00pm\nVo
 llum Lounge\n\nDiatribes is a poetic VR experience that explores the intern
 al conflicts that arise when one is confronted with the reality of climate 
 change. Veronica Graham’s practice centers on poetic world-building in digi
 tal media as well as analog print publishing. Her work is held in the colle
 ctions of MoMA\, the New York Public Library\, and SFMOMA.\n\nRAW Dance Par
 ty \n9pm-\nStudent Union\n\nSUNDAY\n\nCarla Mann Improv Dance Workshop\n1-2
 pm\nPerforming Arts Building 240\n\nEqual parts joyful play and practice fo
 r navigating the unknown\, improvisational dance invites us to attend to ou
 r individual creativity\, movement history\, ideas\, and physicality within
  a community of supportive peers. In this workshop\, we'll draw on a variet
 y of improvisational dance practices to explore the possibilities for movem
 ent that each of us possess. Wild\, shy\, gorgeous\, awkward\, Silly\, sere
 ne–improvisational dance welcomes all kinds of movement\, including yours. 
 This workshop is designed ages 18 and up\, at any level of experience. Plea
 se join us!\n\nProfessor Carla Mann has been a member of the dance faculty 
 since 1995\, teaching beginning through advanced levels of contemporary mod
 ern technique\, choreography\, special projects courses\, cultural studies 
 in dance and improvisation. Her choreographic work for stage\, alternative 
 sites\, installation and video has been presented on the east and west U.S.
  coasts\, in China and the Czech Republic\, as well as her home base\, Port
 land\, Oregon. Mann has performed with Oslund+Co/Dance\, tEEth\, Troika Ran
 ch\, Keith Goodman's Dance Gatherer\, Minh Tran & Company\, Bonnie Merrill\
 , and Benny Bell & Company among others\, as well as in many of her own cho
 reographies.\n\nDavid Abel and Ceremonial Abyss\n1-3pm\nVollum Lounge.\n\nD
 avid Abel is a poet and editor\, and sometimes performer. Forthcoming publi
 cations include the books Sweep (Chax)\, After the Frontier (Himal)\, XXI E
 clipses (Escandalar/Couch)\, and a cassette of sound works from Spiral Pres
 s. He is the proprietor of Passages Bookshop in Portland\, Oregon.\n\nCerem
 onial Abyss is a sound artist\, writer and curator\, residing somewhere in 
 the so-called United States. He has toured extensively in support of his se
 lf-releases Despair\, Betrayal\, 23\, and Tape Study for Four Variants. In 
 2024\, Abyss performed throughout the southwest exclusively remixing “found
 ” material from minimalist composer and structural filmmaker Tony Conrad.
DTSTAMP:20260314T091002Z
DTSTART;VALUE=DATE:20260306
LOCATION:\, Times and locations vary
SEQUENCE:0
SUMMARY:Reed Arts Weekend
UID:tag:localist.com\,2008:EventInstance_52198041848586
URL:https://events.reed.edu/event/reed-arts-weekend
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Exhibition,Performing Arts,Community
DESCRIPTION:Reed Arts Weekend 2026: Cyber Miasma\n\nMarch 6-8\, 2026\n\nNow
  in its 36th year\, give or take a COVID break\, Reed Arts Weekend (RAW) br
 ings visual art\, dance\, DJs\, literature\, and more to Reed College March
  6-8\, 2026. Highlights include installation of a work by Simon Denny\, a V
 R experience by Veronica Graham\, an improv dance workshop by Carla Mann\, 
 and a lecture by Hannah Baer. Every event is open to the public. See the fu
 ll schedule below. Reed Arts Weekend is organized and produced by Nina Frie
 dman\, Benny Gunn\, Michael Malone\, Lily Moyn\, and Clementine Gripman Whi
 stler.\n\nCentral to this year's RAW is an investigation into artists navig
 ating the state of superabundance-induced paralysis. Stasis experienced in 
 the face of frenetic speeds and liquidity\, generative artificial intellige
 nce and algorithmic media has compounded to a point of saturation in the me
 dia landscape that can be described as nothing less than a cultural torpor.
 \n\nThis year's RAW survey gathers artists directly responding to and explo
 ring the dizzying excesses of supermodernity\, cultivating practices of mea
 ning-making in the face of excessive junk\, spam\, slop\, rot\, waste. Rath
 er than capitulating to the inertia of overload\, the exhibition foreground
 s works that metabolize debris—digital\, cultural\, or psychic—into new for
 ms of attention. These projects ask what might emerge when production outpa
 ces comprehension\, when data multiplies like mold\, fed back to us in endl
 ess loops.\n\nExploring how artists and thinkers can produce meaningful wor
 k in a digital landscape defined by spam\, the exhibition proposes ways art
  may function not as refuge from excess\, but as a method for moving throug
 h it: sorting\, sifting\, resisting. In tracing gestures of refusal and rei
 nvention\, RAW 2026 invites viewers to consider new modes of slowness\, del
 iberation\, and estrangement as acts of creative survival.\n\nCYBER MIASMA\
 nReed Arts Weekend 2026 Schedule\n\nFRIDAY\n\nCyber Miasma\nStudent Art Exh
 ibition Opening Reception \n4-5:30pm \nPlus viewing hours Friday 4-8PM and 
 Saturday 9-5PM.\nGray Campus Center\, Rooms A and B\n\nThis group exhibitio
 n of work by current Reed students will be on view through Saturday.\n\nSim
 on Denny \nDotcom Séance\nAll weekend\nPerforming Arts Building\n\nAn insta
 llation of selected images from Denny’s Dotcom Séance series. Simon Denny i
 s a contemporary artist based in Berlin. Denny makes artworks that unpack s
 tories about technology using painting\, web-based media\, installation\, s
 culpture\, print\, and video. He represented New Zealand at the 2015 Venice
  Biennale. \n\nGraft Union Reading Series (G.U.R.S.) and Femme Cell\n6-8:30
 pm\nEliot Chapel\n\nGURS - Graft Union Reading Series presents a poetry rea
 ding of emerging writers\, performance art\, and a surprise\nmusical guest.
 \n\nGraft Union is a grassroots arts collective which hosts a monthly Readi
 ng Series (GURS) showcasing emergent writers across Portland. Graft Union f
 ollows a non-hierarchical and transparent organizational structure\; contin
 uously seeking new members\, organizers\, and readers. We foster radical se
 lf-expression through creative writing—not limited by form or genre—and act
 ively encourage multilingual as well as multimedia work. A graft union is t
 he junction between the rootstock and the scion of a grafted plant—where tw
 o different plants fuse and unify into one. Likewise\, the Graft Union Read
 ing Series envisions itself as a locality of interconnectivity and new grow
 th.\n\nSORA \nShodo/Calligraphy Performance\n8:30pm\nStudent Union\n\nPortl
 and-based Artist\, SORA was born in Usuki Oita\, Japan. She has studied Sho
 do since the age of six\, most recently under Master Sekko Daigo (Oregon) a
 nd Master Futo Suzuki (Japan).\n\nSATURDAY\n\nHannah Baer Lecture\nDavid Ve
 lasco Reading\n5pm\nEliot Chapel\n\nHannah Baer is a writer and licensed cl
 inical psychologist based in New York. She is the author of the memoir tran
 s girl suicide museum and the nonfiction book The Life of the Party\, forth
 coming in 2027. She is a psychoanalytic candidate and a contributing editor
  to Parapraxis.\n\nDavid Velasco ’00 is a writer based in New York and Reed
  alumnus. He was editor-in-chief of Artforum from 2017 to 2023\, and before
  that\, he worked as an editor at artforum.com for twelve years.\n\nVeronic
 a Graham\nDiatribes\nLecture\, Exhibition\, and VR Experience\n2-4:00pm\nVo
 llum Lounge\n\nDiatribes is a poetic VR experience that explores the intern
 al conflicts that arise when one is confronted with the reality of climate 
 change. Veronica Graham’s practice centers on poetic world-building in digi
 tal media as well as analog print publishing. Her work is held in the colle
 ctions of MoMA\, the New York Public Library\, and SFMOMA.\n\nRAW Dance Par
 ty \n9pm-\nStudent Union\n\nSUNDAY\n\nCarla Mann Improv Dance Workshop\n1-2
 pm\nPerforming Arts Building 240\n\nEqual parts joyful play and practice fo
 r navigating the unknown\, improvisational dance invites us to attend to ou
 r individual creativity\, movement history\, ideas\, and physicality within
  a community of supportive peers. In this workshop\, we'll draw on a variet
 y of improvisational dance practices to explore the possibilities for movem
 ent that each of us possess. Wild\, shy\, gorgeous\, awkward\, Silly\, sere
 ne–improvisational dance welcomes all kinds of movement\, including yours. 
 This workshop is designed ages 18 and up\, at any level of experience. Plea
 se join us!\n\nProfessor Carla Mann has been a member of the dance faculty 
 since 1995\, teaching beginning through advanced levels of contemporary mod
 ern technique\, choreography\, special projects courses\, cultural studies 
 in dance and improvisation. Her choreographic work for stage\, alternative 
 sites\, installation and video has been presented on the east and west U.S.
  coasts\, in China and the Czech Republic\, as well as her home base\, Port
 land\, Oregon. Mann has performed with Oslund+Co/Dance\, tEEth\, Troika Ran
 ch\, Keith Goodman's Dance Gatherer\, Minh Tran & Company\, Bonnie Merrill\
 , and Benny Bell & Company among others\, as well as in many of her own cho
 reographies.\n\nDavid Abel and Ceremonial Abyss\n1-3pm\nVollum Lounge.\n\nD
 avid Abel is a poet and editor\, and sometimes performer. Forthcoming publi
 cations include the books Sweep (Chax)\, After the Frontier (Himal)\, XXI E
 clipses (Escandalar/Couch)\, and a cassette of sound works from Spiral Pres
 s. He is the proprietor of Passages Bookshop in Portland\, Oregon.\n\nCerem
 onial Abyss is a sound artist\, writer and curator\, residing somewhere in 
 the so-called United States. He has toured extensively in support of his se
 lf-releases Despair\, Betrayal\, 23\, and Tape Study for Four Variants. In 
 2024\, Abyss performed throughout the southwest exclusively remixing “found
 ” material from minimalist composer and structural filmmaker Tony Conrad.
DTSTAMP:20260314T091002Z
DTSTART;VALUE=DATE:20260307
LOCATION:\, Times and locations vary
SEQUENCE:0
SUMMARY:Reed Arts Weekend
UID:tag:localist.com\,2008:EventInstance_52206661552214
URL:https://events.reed.edu/event/reed-arts-weekend
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Exhibition,Performing Arts,Community
DESCRIPTION:Reed Arts Weekend 2026: Cyber Miasma\n\nMarch 6-8\, 2026\n\nNow
  in its 36th year\, give or take a COVID break\, Reed Arts Weekend (RAW) br
 ings visual art\, dance\, DJs\, literature\, and more to Reed College March
  6-8\, 2026. Highlights include installation of a work by Simon Denny\, a V
 R experience by Veronica Graham\, an improv dance workshop by Carla Mann\, 
 and a lecture by Hannah Baer. Every event is open to the public. See the fu
 ll schedule below. Reed Arts Weekend is organized and produced by Nina Frie
 dman\, Benny Gunn\, Michael Malone\, Lily Moyn\, and Clementine Gripman Whi
 stler.\n\nCentral to this year's RAW is an investigation into artists navig
 ating the state of superabundance-induced paralysis. Stasis experienced in 
 the face of frenetic speeds and liquidity\, generative artificial intellige
 nce and algorithmic media has compounded to a point of saturation in the me
 dia landscape that can be described as nothing less than a cultural torpor.
 \n\nThis year's RAW survey gathers artists directly responding to and explo
 ring the dizzying excesses of supermodernity\, cultivating practices of mea
 ning-making in the face of excessive junk\, spam\, slop\, rot\, waste. Rath
 er than capitulating to the inertia of overload\, the exhibition foreground
 s works that metabolize debris—digital\, cultural\, or psychic—into new for
 ms of attention. These projects ask what might emerge when production outpa
 ces comprehension\, when data multiplies like mold\, fed back to us in endl
 ess loops.\n\nExploring how artists and thinkers can produce meaningful wor
 k in a digital landscape defined by spam\, the exhibition proposes ways art
  may function not as refuge from excess\, but as a method for moving throug
 h it: sorting\, sifting\, resisting. In tracing gestures of refusal and rei
 nvention\, RAW 2026 invites viewers to consider new modes of slowness\, del
 iberation\, and estrangement as acts of creative survival.\n\nCYBER MIASMA\
 nReed Arts Weekend 2026 Schedule\n\nFRIDAY\n\nCyber Miasma\nStudent Art Exh
 ibition Opening Reception \n4-5:30pm \nPlus viewing hours Friday 4-8PM and 
 Saturday 9-5PM.\nGray Campus Center\, Rooms A and B\n\nThis group exhibitio
 n of work by current Reed students will be on view through Saturday.\n\nSim
 on Denny \nDotcom Séance\nAll weekend\nPerforming Arts Building\n\nAn insta
 llation of selected images from Denny’s Dotcom Séance series. Simon Denny i
 s a contemporary artist based in Berlin. Denny makes artworks that unpack s
 tories about technology using painting\, web-based media\, installation\, s
 culpture\, print\, and video. He represented New Zealand at the 2015 Venice
  Biennale. \n\nGraft Union Reading Series (G.U.R.S.) and Femme Cell\n6-8:30
 pm\nEliot Chapel\n\nGURS - Graft Union Reading Series presents a poetry rea
 ding of emerging writers\, performance art\, and a surprise\nmusical guest.
 \n\nGraft Union is a grassroots arts collective which hosts a monthly Readi
 ng Series (GURS) showcasing emergent writers across Portland. Graft Union f
 ollows a non-hierarchical and transparent organizational structure\; contin
 uously seeking new members\, organizers\, and readers. We foster radical se
 lf-expression through creative writing—not limited by form or genre—and act
 ively encourage multilingual as well as multimedia work. A graft union is t
 he junction between the rootstock and the scion of a grafted plant—where tw
 o different plants fuse and unify into one. Likewise\, the Graft Union Read
 ing Series envisions itself as a locality of interconnectivity and new grow
 th.\n\nSORA \nShodo/Calligraphy Performance\n8:30pm\nStudent Union\n\nPortl
 and-based Artist\, SORA was born in Usuki Oita\, Japan. She has studied Sho
 do since the age of six\, most recently under Master Sekko Daigo (Oregon) a
 nd Master Futo Suzuki (Japan).\n\nSATURDAY\n\nHannah Baer Lecture\nDavid Ve
 lasco Reading\n5pm\nEliot Chapel\n\nHannah Baer is a writer and licensed cl
 inical psychologist based in New York. She is the author of the memoir tran
 s girl suicide museum and the nonfiction book The Life of the Party\, forth
 coming in 2027. She is a psychoanalytic candidate and a contributing editor
  to Parapraxis.\n\nDavid Velasco ’00 is a writer based in New York and Reed
  alumnus. He was editor-in-chief of Artforum from 2017 to 2023\, and before
  that\, he worked as an editor at artforum.com for twelve years.\n\nVeronic
 a Graham\nDiatribes\nLecture\, Exhibition\, and VR Experience\n2-4:00pm\nVo
 llum Lounge\n\nDiatribes is a poetic VR experience that explores the intern
 al conflicts that arise when one is confronted with the reality of climate 
 change. Veronica Graham’s practice centers on poetic world-building in digi
 tal media as well as analog print publishing. Her work is held in the colle
 ctions of MoMA\, the New York Public Library\, and SFMOMA.\n\nRAW Dance Par
 ty \n9pm-\nStudent Union\n\nSUNDAY\n\nCarla Mann Improv Dance Workshop\n1-2
 pm\nPerforming Arts Building 240\n\nEqual parts joyful play and practice fo
 r navigating the unknown\, improvisational dance invites us to attend to ou
 r individual creativity\, movement history\, ideas\, and physicality within
  a community of supportive peers. In this workshop\, we'll draw on a variet
 y of improvisational dance practices to explore the possibilities for movem
 ent that each of us possess. Wild\, shy\, gorgeous\, awkward\, Silly\, sere
 ne–improvisational dance welcomes all kinds of movement\, including yours. 
 This workshop is designed ages 18 and up\, at any level of experience. Plea
 se join us!\n\nProfessor Carla Mann has been a member of the dance faculty 
 since 1995\, teaching beginning through advanced levels of contemporary mod
 ern technique\, choreography\, special projects courses\, cultural studies 
 in dance and improvisation. Her choreographic work for stage\, alternative 
 sites\, installation and video has been presented on the east and west U.S.
  coasts\, in China and the Czech Republic\, as well as her home base\, Port
 land\, Oregon. Mann has performed with Oslund+Co/Dance\, tEEth\, Troika Ran
 ch\, Keith Goodman's Dance Gatherer\, Minh Tran & Company\, Bonnie Merrill\
 , and Benny Bell & Company among others\, as well as in many of her own cho
 reographies.\n\nDavid Abel and Ceremonial Abyss\n1-3pm\nVollum Lounge.\n\nD
 avid Abel is a poet and editor\, and sometimes performer. Forthcoming publi
 cations include the books Sweep (Chax)\, After the Frontier (Himal)\, XXI E
 clipses (Escandalar/Couch)\, and a cassette of sound works from Spiral Pres
 s. He is the proprietor of Passages Bookshop in Portland\, Oregon.\n\nCerem
 onial Abyss is a sound artist\, writer and curator\, residing somewhere in 
 the so-called United States. He has toured extensively in support of his se
 lf-releases Despair\, Betrayal\, 23\, and Tape Study for Four Variants. In 
 2024\, Abyss performed throughout the southwest exclusively remixing “found
 ” material from minimalist composer and structural filmmaker Tony Conrad.
DTSTAMP:20260314T091002Z
DTSTART;VALUE=DATE:20260308
LOCATION:\, Times and locations vary
SEQUENCE:0
SUMMARY:Reed Arts Weekend
UID:tag:localist.com\,2008:EventInstance_52206661554263
URL:https://events.reed.edu/event/reed-arts-weekend
END:VEVENT
END:VCALENDAR