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About this Event
A Talk by Kareem Khubchandani
Tracing his trajectory across three intellectual projects—one on queer Indian nightlife, the second on drag performance, and the most recent on the figure of the aunty in South Asian public culture—Kareem Khubchandani explores co-constitutive relationships between research, teaching, and artistry.
This talk maps out his academic personas, the various roles he has been cast into by his research subjects, audiences, and students. While researching queer nightlife in India, he joined a queer dance group called The Pink Divas that became central to his research agenda. In Chicago, Kareem’s search for a South Asian drag queen led him to become one, reorienting not only his research trajectory, but his pedagogy. Aging in the nightclub, drag scene, and classroom have led him to become an aunty; while she might not be as glamorous as her counterparts she is still full of queer possibilities.
Kareem moves across genres of the artist talk and research essay to center and interrogate the academic’s body. Where the scholar’s body is often obscured in preference for their mind, evacuating the body from academic labor is a luxury rarely available to queer people of color. This talk provides an opportunity to think about the pitfalls and possibilities of self-fashioning in the academy for minoritarian subjects.
Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University. He is the author of Ishtyle: Accenting Gay Indian Nightlife, co-editor of Queer Nightlife, and curator of www.criticalauntystudies.com. Kareem is currently working on two new book projects: Decolonize Drag and Auntologies: Queer Aesthetics and South Asian Aunties.